CREATIVE: Full Post Production including sound edit and final 5.1 LTRT broadcast delivery, Colorgrading, and VFX.
PROJECT SCOPE: Produce color grading, VFX, and audio post production for independent horror feature, combining film standards of Dialogue, ADR, sound edit, foley, and music edits, while using director developed evil world sounds.
TEAM: Supervising Sound editor/ Rerecording mixer, Conforming editor, Sound Editor, Dialogue editor, foley team, and ADR supervision.
PROCESS:
- Dialogue Edit, ADR spotting of minimal lines, which included breathing, emotional reactions, including complete ADR design of tmale and female principle actors.
- Sound edit involved ambiences that connect to live action standard sound edit.
- Foley spotting was provided to internal foley team.
- Music was orogonal composed underscore.
- VFX was director organized, but executed by Mechanism Digital, and independent VFX editor, Paul Levin.
- Color Grading Artist was Nicholas Wiczynski
- Final Mix goal was to be suttle while alluring in a curious way. While maintaining an acceptable Dia, sfx, cinematic level.
Final mix was completed in 5.1 and dowmixed to broadcast LTRT at -24 broadcast standard. with negative transient peak control of -6.
Audio post schedule was very demanding, as time allotted for delivery 6 months.
