ReEntry: Sci-fi Feature Film

CREATIVE: Audio Post Production including sound edit and final 5.1 cinema mix and LTRT broadcast delivery.

PROJECT SCOPE: Audio post production for independent Sci-fi feature film, combining film standards of Dialogue, sound edit, foley, and music edits, while sound designing all sci-fi visual details, with futuristic sound inventions.

TEAM: Supervising Sound editor/ Rerecording mixer, Conforming editor, Sound Editor, Dialogue editor, and foley team.

PROCESS:

1. Dialogue Edit of production sound.
2. Sound edit involved time travel machine and technology. Sound designing the first 12 minutes of the film became the base sound design approach for the remaining film.
3. Foley spotting was provided to external foley team of Foley First under Yuri Pridachin’s direction. Foley goal was foley filled track for M&E Foreign language dubbing internationally.
4. Music edit provided by composers and director edits.
5. Final Mix goal was to be sesitive to the details of the visuals and FVX, while maintaining an acceptable Dia, sfx, of cinematic level with Dolby standards

Final mix was completed in 5.1 and dowmixed to broadcast LTRT at -24 broadcast standard. with negative transient peak control of -6.

Audio post schedule was very demanding, as time allotted for delivery 6 months.